The composition coffee and side tables are an arrangement of raw material elements and precise geometric forms; beyond the physical, they are a convergence of identities. The resulting dialectic composition expresses both intuitive and rational reasoning.

The timber grid employs a regimentally systematic format, the floating islands are irreverently discordant, but fit within the system. The arrangement plays on duality, examining how two spaces can be occupied at once, the logic rational and spirit intuitive.